White Wedding

A China pop quiz.
What features a radio controlled helicopter, the Star Wars theme, a harmonica, a magician, two lounge singers, an emcee from the "China Coal and Mine Troupe" dressed like an Elvis imitator, a dose of Confucian filal piety and about 200 guests?

1. A wedding.
2. Birthday party
3. A company retreat/team building session.
4. Funeral

If you picked No 1, you're a winner! You win a carton of premium Hongtashan (Red Pagoda Hill) cigarettes (gifts to the male attendees). If you picked 2, 3 or 4 you receive our consolation prize - two cartons of Hongtashans!

It was my first Chinese wedding and easily the most bizarre and entertaining nuptial event I've attended, though a New Age one outside of Sheridan, Wyoming where the thoroughly white bride and groom recited vows based upon their "bear totem clan" is a close second. It was also the earliest - held at 11 am on a Friday.

But the bear totem wedding had no radio controlled helicopter flying in to the Star Wars theme to deliver wedding rings to the groom who almost fell down in his rented white tux trying to catch it. Nor did the bear totem groom wait solemnly while the wedding's emcee -- a second string CCTV cross talk comedian and graduate of the China Coal and Mine Troupe named He Jun who was dressed like a sequined Elvis imitator presented him with a mysterious slim long case that contained ... a harmonica.

"What the fark?" I mouthed to the only other foreigner there - a British pal, Danny, who'd been shanghaied into being a best man, based he suspected on a combination of his good nature and "exotic" skin color. He's a black guy. "I think it might've been a token thing," he said wryly.

But I digress. The groom, call him B, put the harmonica to his lips and wobbled through a shaky rendition of a vintage and still popular love song, The Moon Represents My Heart made famous here by the late Teresa Teng, a Taiwanese pop singer.

I'd have preferred some James Cotton or Magic Dick blues harp, but whatcha gonna do? I'm only a guest here and the 22 year old recent college grad standing next to me was sobbing into her already soggy tissue and looking repeatedly at her empty ring finger, yearning,I guess, for her turn at the altar with a toy chopper ring delivery system.

The tender 60-minute outdoor windblown ceremony also included a band of four young, leggy women in knee high suede boots and hot pants "playing" a flute, two violins and a portable keyboard to pre-recorded music, as well as frequent sound effects from a real keyboarist who hit the "boiiingg!" sound button to underscore every corny punchline from the emcee.

Gotta admit thohgh that I got a bit misty eyed when the bride and groom both knelt before their mothers and told them how much they appreciated their love and care. It hit a sincere and very traditional note that even the corny murmuring ocean sound effects didn't diminish.

In the banquet hall the levity continued. A magician entertained with some "Magic 101" stunts (interlocking rings, wand-into-flowers, etc) but closed out with a great finale of transforming a newspaper into a live squirming 8-inch grass carp that he threw into a nearby fish tank. Turning fish wrap into fish. Not a bad trick and I left with free ciggies and a gleaming hunk of carved jade won in a Lucky Wedding Draw.

Just Like Tom Thumb's Blues

It was one of your basic "why do I ever whine?" moments.
I was outside Beijing Children's Hospital on a Friday goodwill mission with one of my Weird China team reporters, Jenny Song Shengxia. The sun was beginning to set and the grounds of China's largest and finest children's hospital were crowded with needy parents and sick children, some camping out on a patch of barely functioning grass in front of the hospital. Two small shops selling gaudy oversized Mylar balloons and other colorful geegaws supposed to raise the spirts of sick children were doing some business.

We were there to give a 1,000 yuan ($145) donation collected from some Global Times coworkers to a remarkable father in need.

Zhang Yonghong is a 36-year-old dwarf with paralyzed legs. But he's really not the needy one. It's his 1-year-old "glass bone" daughter, Tianyu, who suffers from a disease I'd never heard of before helming the Weird China page - Osteogenesis Imperfecta (OI). OI is an incurable – but treatable – genetic disorder also sometimes known as Lobstein syndrome, in which sufferers have weak bones prone to breaking easily.

The dad, daughter and mother, a quietly beautiful shoeshine worker, traveled more than 1,000 kilometers from Xi'an to Beijing in their crude but effective homebuilt three wheeled mobile home that Zhang designed and set up with hand controls so he could steer and brake.

Jenny had written a story on him for the paper and his last ditch effort to find help for his daughter in Beijing, whom her mother was nursing as the father talked with us from the vehicle's small rear cab/bedroom. I sat in his wheelchair outside to get at eye level with the family as Jenny translated. Under the vehicle was the Zhang family's laundry in a plastic tub, a half full package of budget detergeant and a couple of cheap suitcases. Two tiny goldfish swam in a sealed small plastic globe -- something he'd probably bought for little Tianyu.

A crowd gathered as we talked - about 15 people, some just curious, others hoping to attract our attention for help. Zhang, who worked in Xi'an as a decorative paper cutter and - ironically - an amateur suicide and helpline counselor for people with fewer problems than he seemed to have -- said he hoped to stay in Beijing and find new work.

The Chinese mainland doesn't do well when it comes to its handicapped citizens. They're essentially invisible; a source of shame or naive curiousity, unlike Hong Kong where it's not uncommon to see blind people walking the streets and subways, families with a Down syndrome child and wheelchair navigators. The Beijing government pays lip service to the handicapped at appropriate times - such as when the Paralympic Games followed last year's Olympics.

And while celebrity gimps such as the son of late leader Deng Xiaopeng, Deng Pufang who was paralyzed from the waist down after being thrown out (or jumping) from a Peking University dorm room during the Cultural Revolution are wheeled out as shining examples, guys like Zhang are essentially nonpersons unless they make their own way.

I admired the way he'd rigged his little motorhome to drive and asked how he'd done it. He said he'd just "thought of it" and had built three others for some other partially paralyzed people who'd paid for the equipment and his labor. I asked about his driving license. He dodged the question. Handicapped people aren't licensed to drive in China, and he clearly didn't want to discuss how he'd driven so far without legal problems.

Meanwhile Jenny was also patiently listening to two different tales of woe from other parents with sick children. I told her maybe we could find some way to connect Zhang with someone in Beijing interested in making vehicles for guys like him, even if its illegal for them to drive. She translated again and his face lit up. I don't know if that's going even be a starter - but it was an idea he liked and could hang on to for awhile.

Four dead in Ohio (and a few hundred more in Tiananmen)

If you're reading this - all 3.7 of you - you're probably doing so from outside China where blogspot and blogger once again have offended what Danwei.org calls the "Net Nanny" and have been blocked. Cut and paste www.danwei.org and go to "Blogger.com blocked, but not the Washington Post" for a more succinct explanation.

I'm using a proxy server to post - not unusual - and to access other blocked sites, some of which such as YouTube have been in the black for a couple months now. (I can get my subversive Bob Dylan, Neil Young and Daily Show fixes!) The "word on the street" (i.e. rumor, expat logic plus past experience), says Beijing is blocking sites and will block more due to jitters over the 20th anniversary of June 4, 1989 Tiananmen massacre as well as the country's 60th anniversary founding on October 1. Look for relief after October 1? We'll see.

In the meantime, our paper - State owned as it is - has said internally that it is considering running "something" on June 4. That would be very unusual. Plus or minus, any mention would be almost revolutionary as the date usually passes without note - part of what another journalist has aptly termed China's called "collective amnesia" regarding the bloodshed.

An example. A British coworker has a wallpaper pic on his office PC of Tank Man, the picture of the lone, unknown Chinese citizen holding nothing more than two shopping bags as he stands off a PLA tank. It's arguably the most famous late 20th century photo of China - outside of China. But it draws no notice by Chinese colleagues, 99.9 percent of whom have never seen it and there's no context, nothing specifically "Chinese" about it viewed on its own. And it's not as if it's "banned" here. If I type "Tank Man" into Google images, I get a fair amount of them. But there's a cultural and educational gap that, as much as pro-democracy types both inside and outside of here would like to smooth over in terms of "if they see it they will understand" logic that just doesn't jell. If our image is of Tank Man, the one they remember is what they've seen in the classes that touch briefly on the subject - a picture and brief film footage of a PLA soldier on fire as he struggles from a tank torched by protestors' Molotov cocktails. Different tank men.

Another UK journalist friend here less than a year summed it up. We spoke yesterday after he'd interviewed journalism students at China's most prestigious university, Peking University, about June 4. He was puzzled that they didn't care and didn't seem to want to know anymore than what little they did. No reason why they should, really. They're the post-'89 generation, their education has been regimented and they owe their positions as students at PKU through privilege and some talent at memorizing test answers and lmost of all ook forward to careers through the same outlets despite China's climbing unemployment figures. They're gonna risk it by crying over June 4 to to a foreign journalist? Not likely.

In the meantime, here is a repeat of a column I wrote in Hong Kong about the same syndrome, four years ago. Not much has changed.

Except for what Associated Press called ''tightened security'' around Tiananmen Square, the 16th anniversary of the massacre of course passed unnoticed last Saturday on the mainland. In Shenzhen the sky was spitting intermintent bursts of acid rain – an appropriately gloomy mode if one was seriously contemplating June 4, 1989.

I had managed though, to cobble together a minor memorial of sorts in the form of a thoroughly unscientific poll and guarded discussion at a congee restaurant with four young English speaking Shenzhen professionals. They were all 13-to- 15-years-old when the June 4 Movment bloomed and burned. Just a little older than I was when John F Kennedy was assassinated in 1963 and a tad younger than I on May 4, 1970 when four American students were slain by Ohio National Guard troops at an anti-Vietnam protest at Kent State University.

''Four dead in Ohio,'' sang Crosby, Stills, Nash and Young in what was possibly the last true American folk song hearkening back to the original spirit of tunes as breaking news. It was written, recorded and released to radio – and, shades of China, banned by some stations – within three weeks of Kent State.
Comparisons between May 4 and June 4 however are admittedly a stretch at best. Possibly thousands, including soldiers, died on June 4 and unlike Kent State no galvanizing protest song or photo of a 14-year-old runaway girl, arms outstretched and keening over the dead body of student Jeffery Miller was allowed to sear the tragedy into the national consciousness.

But there is the Tiananmen Tank Man photo. One of Time Magazine's Top 100 photographs of the 20th century, but not even bubbling under the Top 200 in the PRC, the last century or this. That's where I began the discussion after some nervous jokes by them about making sure our dining area wasn't bugged and that I wasn't recruiting for the Falun Gong.

''No one is very comfortable talking about this,'' said Sally (a psuedonym, as are all the names), a 27-year-old sales manager for a Sino-US joint venture company. The others, two women and a man, nodded.
I described man vs tank photo and asked if any of them had seen it.
"Maybe," said Louis, 30, a telecom engineer. "I am not clear about it. I have seen so many world-shaking photographs.''

Li, 30, a project manager who has lived in Shenzhen for seven years, was equally vague. "I am not sure."
Sally had seen it but shrugged it off as '' interesting.''
Dani, 29, was the only one who had traveled extensively outside China, including a year in Boston. "I know that picture. It is very powerful. I also watched a VCD in the US called Tiananmen. I know now that the government hasn't told the full truth because they want to cover up their crime.''
Would it surprise any of you that the man and tank picture is one of the most famous photographs of China ? More foreigners know it than they do Deng Xiaopeng.

''I am not surprised even if I don't think I know it,'' said Li. She was pragmatic. "It's like we know more about pictures of the Statue of Liberty than George Bush.''

So does June 4 have any meaning for you?

''Absolutely. It has a profound meaning. It let us know how corrupt the goverment is,'' said Dani.
Others disagreed.
"I think it was the price of trying to explore a new success. But we need to forget the past and be a bright future," said Louis.

Li, like the others, did remember radio and TV accounts at the time but still found it hard to understand what, exactly, the demonstrations were about.

''I didn't understand it then or even now. Why did the students have to bleed and parade and how come so many PLA were killed? What were they trying to fight for? I still don't understand or want to know, really.''

Sally had mixed feelings. ''The students used their blood to educate people, to try and encourage other students to do more democratic demonstrations. But after it was all over the fact that people who were there weren't able to get good jobs scared other people. I used to teach English to an older man when I was in college. He told me he couldn't find a good job in China because he joined that movement. He had to immigrate to Canada.''

It was at about that point that I thought back to a conversation I'd had with Annie, a Chinese ex-coworker of mine in Shenzhen who had been at Tiananmen Square in June 1989, though as an observer, not as a demonstrator.
From her perspective it sounded like the demonstrations were - until the soldiers began slaughtering the students - more of an excuse to party, with calls for democracy almost an afterthought.

"I left just before the trouble," she said. "My friend did not feel well and I went back to our university with her. "
But why did you go to begin with?
"I am curious about many things. I like to watch and listen. It is why I like being a reporter. I went just to watch. There were no classes, everyone was there. It was also very romantic ... is that the right word?" She laughed self-consciously.
I don't know. What do you mean, 'romantic?'
What Annie described was the frisson familiar to anyone who has spent an extended, intense period of time in a hot house environment with others bent on the same mission, whether it's producing a play, working overtime at the office or trying to overthrow a government.

"Many students fell in love there. They got engaged there. Some shouted to get married right there." She laughed again. "Some of us said these romances would not last. None did."

Did you see the Statue of Liberty?, I asked referring to the homemade, crude replica that the students had constructed.

"Of course. It was a little ugly, do you think?"

I laughed and said I liked the spirit, I said. Any American who saw it understood and applauded the spirit.

"Of course. It was very symbolic."

She seemed lost in thought then she said: "The day after the deaths, it was so quiet on our campus. No one talked. We knew something terrible had happened but no details. Silence everywhere. Empty classrooms, empty rooms, empty canteenl. No one could talk about what happened. I rode my bicycle to Beijing University because I wanted to see what it was like there. It was quiet, too. I looked up at some windows and I saw new white flowers. White flowers at windows and balconies. Do you know what that means?"

No, I don't.

"White is our color for death."

I briefly described Annie's experience to the four and they were vaguely interested, though unimpressed. She must have had good connections to have her present job was the consensus. What all but Dani agreed on was that June 4, 1989 was China's business, not the outside world's.

"It is all the people's business,'' she said, looking a little embarrassed at being the odd-person out. ''I will tell my children about it. The full truth.''

''It is only our business, China's business,'' said Louis. "I would not tell my children because I don't know the full truth. It is well known that the full truth of history is often not easy to know. So perhaps it is better to say nothing than to be wrong.''

It's Showtime!

The April 20 debut of my newest wagemaster, Global Times was, in a word, anti-climatic or even underwhelming - though not without a lighter side or two.

Some members of the foreign staff, including me, got last-minute invites to the paper's official "launching reception" in a Sheraton hotel ballroom where 200 mostly Chinese Commie Party VIPS mingled with a sprinkling of embassy staffers drawn largely from some of the "..stan" countries and other powers such as Albania and the Maldives. Entertainment included a dozen female drummers and a lip-syched Peking Opera performance combined with lithesome, highly choreographed dancing girls whom I mistook for professionals until I was told by a Chinese reporter that they were all also reporters from the Chinese language Global Times.

"What? No way! How much overtime did they put in to learn that routine?" I asked. "They're beautiful, but it's not exactly what they went to university to do, I imagine."

"They were not paid overtime for that," he told me. "They 'volunteered.'"

I tried to imagine the outrage of reporters I'd known in Colorado if they'd been asked to 'volunteer' to be dancing girls for a company gala and winced at the thought.

Unintentional entertainment also came in the form of the taped intro music for the Major Commie Party Hoodoo Guru Editor of People's Daily, our editorial mothership. The strains of what I swear was a remix of '70s TV show themes began that morphed The Love Boat with what sounded like the Starsky & Hutch theme, or maybe a porn flick - lotsa cheesy wah-wah pedal effects - and brought him to the speaker's podium.

The next morning I began getting e-mails that added to the excitment from pals in Hong Kong, Shenzhen and Beijing saying they'd seen me on national China TV news in a puff piece about the new GT.

A savvy American coworker found a link on the Sinocized version of YouTube. I'm the myopic fat headed foreigners about 40 seconds into it. To view, cut and paste. The autolink function isn't working now. Enjoy.
http://v.youku.com/v_show/id_XODYwMDc5NjA=.html

Photos by Bernice "The Bern Unit" Chen

Working for the Clampdown

Content restrictions and control at my new employer seem to be increasing the closer we get to launch date April 20, though it's really turned more into a game than anything serious.

There is a blanket edict that any stories on North Korea or Darfur will be "positive" - giving rise to some jokes among the foreign staff about travel features like "Pyongyang: Playground in Paradise!" or "Delightful Darfur! It's more than starving flyblown refugees!"

Over on the Weird China desk ("China Mosiac") where we continue to harvest stories of hero animals, witless whacky crooks and romances gone rotten, our assigned censor has been axing pithy items that portray "superstition" or "put China in a bad light," or are "disrespectful to leaders" (a sculpture made of Mao badges) though under the "disrespectful" mandate he was unsuccessful in killing a reference to Barack Obama's "schnozz." The mundane item was about a Chinese woman who'd had a botched nose job and was being teased by others who said it resembled Obama's.

The Yiddish baffled the censor, of course, and overall he was leery of appearing "disrespectful" of a world leader. I assured him that Obama makes jokes about his ears and I doubted he'd be offended if, in a one in a trillion chance, he happened to be reading a dummy copy of Global Times that referred to his schnozz. "The Jewish vote is crucial to his support," I said after explaining what Yiddish was.

The censor has also begun submitting his own stories and I've been able to do some quality control myself. I spiked two that were less than subtle attempts at portraying Taiwan as uniformly yearning to be embraced by Benevolent Beijing. But our attempt at changing the page's name from "China Mosaic" to something a little more lively was recently quashed.

"Weird China" is a non-starter, of course, but another foreigner had suggested, "This just in..." - not bad, I thought, and I lobbied for it. It was taken under advisement and after about 10 days I asked what had happened.

"It was turned down," one of my Weird China reporters confessed. "Not suitable."

"Why?" I asked. "They didn't get it? It's a journalism cliche, but appropriate for the page. It's no prize winner but better than China Mosaic." She was silent and then sighed.

"They discussed it and finally think you are trying to promote yourself," she said quietly.

"What? How?" I couldn't see it at all.

She sighed again, paused, then cleared her throat. "'This just in.' Just-in. Justin."

The Cat Crept In

I saw the notice taped to a window of a coffee bar and sandwich shop in my neighborood, "Cat Needs a New Home" and thought, why not? It gets lonely sometimes in my latest neighborhood and C and I had had some fun a few years ago with a white female stray we'd adopted in Shenzhen and named Gato.

This one is "Figo," an overweight orange short hair previously owned for six years by a Latvian woman, Marina, and her son, who'd named him after Luis Figo, a Portuguese soccer star I'd never heard of til meeting his feline namesake.

"Figo you do not know of?" Marina asked incredulously. I just shrugged and said, "I'm American" and let that suffice. Our general ignorance of and indifference to soccer is well known in expat communities where the game's international appeal otherwise brings nations together for riots, stampedes and white knuckle matches that end 0-0.

Marina's son is in college in Germany now and as a new vicitm of the world econoomic crisis and China's collapsed textile export market Marina has to leave China without Figo, who it became quickly clear is virtually more than a son to her. There's no real cat pet culture in China yet, but she took me to a small international veterinary clinic to finish a round of shots for him - the "Rolls Royce Premium package" as the clinic manager described it while getting all my particulars.

Marina also wanted Figo's ears examined, convinced as she was that they were infected. The vet found nothing but finally worn down with Marina's increasing level of hysteria ("So red!" she said loudly, pointing to Figo's healthy looking pink inner ear and scrutinizing a clean, puss-free Q-tip the vet had used to probe for an infection) the doc gave her a small tube of what looked benign topical cream and told her to swab it on twice a day with a Q-tip. Then came a stranger request.

"You can measure cat blood types?" asked Marina. The vet explained that, yes, cats have blood types but finding out what they are is a long and very pricy procedure. "I vant to know vhat blood type is Figo," Marina grumbled. "For to tell his personality!" Some in Japan, Korea and China believe a blood type is like an astrological sign and I guess Marina was hoping it applied to cats as well. She was not only a hypochondriac for her cat but a seer.

They parted Sunday night when I met her outside my apartment as she walked lowslung and mournfully with her collection of cat gear and Figo zipped up in an oversized cloth satchel. She looked like an Eastern Europoean refugee and was weeping.

"I feel I have betrayed him!" she told me between sniffles. I felt genuinely bad for her and a Chinese friend with me simply looked very puzzled. ("It is only a cat," he told me later. "A very nice cat. But not a child.")

"It will be okay," I told Marina, patting her on her broad back - while thinking, "it's not like you're putting him on a cattle car to Auschwitiz or a restaurant in Guangzhou..."

Celluloid Heroes

A Chinese English teacher I met recently had been asking if I'd be a "guest lecturer" for one of her morning university classes at the China's Central Academy of Drama.

"You can pick any topic," she said, "and talk for an hour or more." I'd done this before in Shenzhen and can barely talk for 5 minutes, much less an hour, about anything of interest. Previously I'd dodged the time line by rambling for 20 minutes or so and then asking for questions - a technique that never fails to fail here as students are taught specifically not to ask questions, though pleading and offering 20 yuan to the first questioner usually worked.

I floated the idea and she told me what I already knew. "They won't ask questions." But she offered to show me her school, from which many of mainland China's film stars and directors have graduated and added that "Julia Roberts will be coming to speak on Tuesday. Maybe you can attend too?"

Julia Roberts? Yeah? "You know, the big mouth movie star," she said. I knew, I knew and while never really a huge fan, the idea of crashing a talk by her in Beijing seemed intriguing. And, hell, I liked her in Erin Brockovich, Nodding Hill and her Tess Ocean role in Oceans 11 and 12, so yeah, sounded like a plan.

My first surprise was that the vaunted Central Academy of Drama was in a place I hang out frequently after hours and I'd never noticed. So much for my "trained observer" skills. It's in the middle of a popular tourist and Chinese yupster hutong (alleyway community) called Nonlou guxiang, otherwise chock full of small coffee/tea bars, mostly low key booze bars (including Beijing's smallest, a 12 square meter place aptly named "12sm")snack shops, clothing, ceramic and gift stores and some homegrown yoghurt stands.

I'd seen the academy, of course. It's hard to miss squatting comparitively large among the smaller buildings aand residential courtyards, but also gated and locked I'd assumed it was some minor bureaucratic tumor and not paid any interest.

We got there on an early Saturday afternoon, the teacher walked through a side entrance and suddenly we were inside. I'd imagined something grand - babe-olicious heartbreakers like Zhang Ziyi (Hidden Tiger, Crouching Dragon, Memoirs of a Geisha) and Gong Li (Raise the Red Lantern, Farewell my Concubine, Curse of the Golden Flower, Miami Vice (!)had trod these floors with their golden feet. And what floors they were. Dingy concrete, worn small classrooms, all cast in a feeble 20-watt glow. It looked like a very tired middle school. Photographs of famous alums were along the walls at eye level, none autographed and all looking as if they'd been taken by a bargain photog at a Sam's Club.

I looked in vain for pictures of Zhang Ziyi or Gong Li and then heard the teacher calling from around a corner. She wanted to show me the poster for Julia Roberts' appearance.

"See," she said, pointing. "Julia with the big mouth." She pointed to a Chinese character poster with several French movie titles and a picture of a woman with a large mouth named Juliette. French actress Juliette Binoche. Like Julia Roberts, she's won an Academy Award (English Patient)and they probably could swap dental records, but ... no.